sharing a poetic LIFELINE with the world

Archive for the ‘Creativity’ Category

Meet Melanie Hamilton, Our Muse Conference Moderator

Every October, we engage in a week-plus of utter madness and frenetic activity with the Muse Online Writers Conference —  a free, international event filled with close to forty hours of real-time live online chat-format workshops, plus dozens and dozens of forum workshops on various aspects of writing, editing, web presence, and much more.

Those who attend are involved for about ten days of action. Behind the scenes, however, a group of about thirty members of the ModSquad handle ALL the bits that make the event possible. These are the chat moderators and forum facilitators; coordinators of schedule, presentations, handouts; handlers of registration problems and lost people. They help the presenters figure out how to use the system, do all the foot-work to see that everyone who is supposed to pitch to one of the publishers or agents makes it to the right place at the right time.

The ModSquad is like the 7/8ths of the iceberg you don’t see — the part that supports the gorgeous crags that leave you breathless.

The Poetic Muselings taught a weeklong forum workshop, plus three hours of live chat-workshops, during the Oct. 2012 Muse Conference. We had a blast, met some amazing poets, and helped connect a few to form their own critique group. During the month of February, we are honored to introduce some of these poets, and present work they did during that week, as we explored poetic forms and followed inspiration.

We lead off our series with Melanie Hamilton, who handled Moderator and Facilitator duties for the Poetic Muselings, as well as for several other presenters. Melanie kept us calm, organized, taught most of the group how to do what was needed to function, which made my job as Head Moderator much easier, since I could concentrate on the major fires, and didn’t have to worry about our workshop.

Melanie, we thank you for your courage to share, wild sense of humor, and all that you did for us. We are delighted you agreed to join us here on the Poetic Muselings blog. Congratulations on rediscovering your other creative talents, like the photo, below.

Michele
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Highlighting Pleasure

A single finger
sweeps across my skin
friction releasing me
mote by mote

A focused thumb
presses me down
while fingers stroke
highlighting “pleasure”

 

m-hamilton-1

Girls’ Love

You found out I kissed her
Pressed my lips against hers
Felt her teeth, hard and sharp
Innocent.

You found out I laid on her
My body long and thin
Felt her ribs, hard and round
Innocent.

You found out I wanted her
and placed me
behind the garden wall still
Innocent.

 

About Me

I am round soft
I love deep warm
I laugh bright loud
I dance easy liquid
I sing dark low
I touch strong light
I see true clear
I speak straight craftm-hamilton-2

I dream wide new

do not think me
gentle for all that

I am strong
I love fierce
I laugh wicked
I dance raw
I sing blue
I touch hard
I see truth
I speak Yes!
I dream the world right

 

My name is Melanie Hamilton and I can usually be found as MMV Hamilton. I do have other personas on the net. Meham and Meela are the usual alter egos. I’ve been writing all my life. I remember writing something about a bunny in third grade, and writing stories and poems when asked. I started writing poems more seriously as a teen but circumstances intervened and I stopped. Stopped writing except in journals.

Decades passed while I tried to figure out what kind of writing I wanted to settle on, until I finally gave in and started playing Dungeons and Dragons. I was forty-something. That is when it all came together and I was introduced to Nanowrimo. In the meantime, I stumbled across a local class Writing as a Form of Healing. The class is based on the work of Pat Schneider. She created the Amherst Writers and Artists group which supports the voices of everyone. Their premise is that we tell stories so we are all writers. While I was about four novel drafts into Nanowrimo, this class had the effect of freeing my poet’s voice again.

Two years taking workshops with Savvy Authors has yielded a portfolio of short stories and lots of confidence in my prose writing. From Savvy Authors I followed a few of the workshop teachers over to the Muse Online Conference and fell in love! Almost at once I wanted to be part of something larger than just writing. I found my opportunity becoming a novice moderator.

What an amazing experience. The intensity of coralling, I mean gathering teachers and students into a learning environment that is both fun and informative feeds the part of writing that I don’t get to experience often. Helping.

By day, I work as a home-care LVN working in a family with a special needs child and her sister. OK let’s call it what it is—specialized babysitting! Some days it’s just one long play date. Others it’s rescuing a family from stresses they were not expecting waiting for their first child.

I’m getting close to retirement and I know that some of what I receive from half a lifetime of helping must go with me. I am hoping that writing and my writing communities will give me that. Meanwhile, I write, with fellow Savvy members, on our blog The Speculative Salon (http://speculativesalon.blogspot.com/) and am getting my shorts portfolio ready for submissions. I’ve had micro success being published so far. Micro Horror took my Zombie Walk story and Apollo’s Lyre received my shorter short, a six-word story both thanks to the tuteledge of Jim Harrington.

Flash fiction is close to poetry, the link between poetry and the longer forms of story and novel. I like the shorter pieces because they are satisfying to complete and give me the opportunity to investigate aspects of the novel worlds I build that don’t fit into the larger work. They let me world build through characters. A little like playing Dungeons and Dragons again.

 

Boundaries and Compassion

imageLisa Gentile, Moxie Mavericks Life Coach and Mentor Extraordinaire, has pushed, prodded, and supported the Poetic Muselings from early in our adventures. We’ve maintained an on-going exchange of ideas, building on our progress and plans. With the new year’s map unfolded on our virtual table, it seems a good time to share some of Lisa’s material on setting boundaries while maintaining compassion. Food for thought, with our reactions and additions woven in.

As the recent series of posts show, we’re excited about our projects, and new ways to approach them. Balancing the Plan Stage with the Action Stage is always difficult.

We encourage each other to stretch, do big, hairy, scary things. Act as cheerleaders and critics, as the situation called for. We try very hard to listen to the words, and hear what’s behind them, to temper our support.

Sometimes we succeed, and sometimes we need to pull back; we, as friends and professional colleagues, cannot fulfill all the roles all the time. Sometimes, the subject is too close to us for us to separate ourselves from the problem.

We each have our own networks of friends, acquaintances, professionals, and family, who are the intricate web that support or entangle us. Sometimes both. We’re called on to provide support to those “others”, and rely on them for the same. What we need isn’t always what we get.

What follows is from Lisa. In many ways, her words grant us permission (if we need it) to step back, reclaim our space and know we deserve to protect ourselves — with tools of compassion for all parties.
***

It’s okay to protect ourselves from someone who has behaved unjustly. We can strive to do it without judgment.

From “Self-Compassion” by Kristin Neff:

“Discriminating wisdom clearly sees when an action is harmful or maladaptive, and when we need to protect ourselves from those with bad intentions. However, it also understands that all people are imperfect, that we all make mistakes.”

“It’s useful here to draw a distinction between judgment and discriminating wisdom. Discriminating wisdom recognizes when things are harmful or unjust, but also recognizes the cause and conditions that lead to situations of harm or injustice in the first place.”

When we feel vulnerable and we need to reach out for compassion, it’s okay to be selective about our confidant.

From “The Gifts of Imperfection” by Brene Brown:

“We have to own our story and share it with someone who has earned the right to hear it, someone whom we can count on to respond with compassion . . . We definitely want to avoid the following…:

The friend who takes on your pain so you end up comforting her.
The friend who responds with sympathy rather than empathy.
The friend who is disappointed in you.
The friend who is so vulnerable that she scolds you or looks for someone to blame.
The friend who is made so uncomfortable by mistakes that she denies your story.
The friend who speaks as if one-upping you is the same as connecting with your vulnerability.”

We all do all of the above from time to time and may continue to be good friends to others. But when we are vulnerable we need the right friend for the occasion.

“When we’re looking for compassion, we need someone who is deeply rooted, able to bend, and most of all, we need someone who embraces us for our strengths and struggles.”

Our exchanges have given me something to think about in terms of tactics for erecting these boundaries. I am open to further thoughts on the matter.

Lisa Gentile, M.S.
Moxie Mavericks Life Coaching
http://www.moxiemavericks.com
http://www.facebook.com/moxiemavericks
http://www.twitter.com/moxiemavericks
lisa@moxiemavericks.com

***

imageOnce again, thank you, Lisa.

Building on what Lisa has identified above, we invite you to ponder the following questions, and to answer with your heart:

How do you choose your confidant?
How do you recognize and communicate the type of feedback you need?
How do you recognize unjust and/or inappropriate comments or actions from others?
Does it happen repeatedly with the same person or people?
Specifically, what tactics have you developed to protect yourself in these situations, separating you (the recipient) from the message and sender of that message?
How and what do you communicate in this scenario?
How do you remain compassionate, but protect your personal boundaries?
How do you heal yourself after such an encounter?
What form of creativity helps you re-center and move forward again?

Please share your ideas, and what you’ve learned on your life’s path. Recognize your strengths; identify where you may need to establish boundaries; trust yourself to try effective methods others have developed; and maintain a sense of compassion for yourself.

In a few weeks, we’ll collate the responses into a follow-up post, so, you can continue to add to your own comments, and build on the thoughts that other people present – like an ongoing dialogue.

Thank you for your courage to participate.

(If you would like your comments to be anonymous, you can send them to me at the following, and I’ll add them in:

Michele Graf — poetic DOT muselings AT gmail DOT com. Drop the spaces, and substitute the dots and at.)

Note – these photos were copied from internet sites before I knew how to identify their priginal sources. I’m searching for that info, so I can properly credit them; if you know the source, please tell me so I can add it in. Thanks.

Decide Now!

decidenow-nextprojectI’m a sucker for “OOH! Shiny Things!!!” One of my favorite surfing sites is Lifehacker Australia — you can learn anything from the best description of why Java was a recent menace, and how to delete it from a variety of browsers (sort of works . . . ) to how to use a binder clips and duct tape to do almost anything. They also highlight new apps and special deals on apps. I’ve finally deleted the most addictive game I played incessantly (deleted it twice, actually), and found the most wonderful new Shiny Thing to help when I get into analysis paralysis.

As are many of us creative souls, I’m a very visual person; toss in easy distractibility, a short attention span, and a tendency to try to multi-task. Result? Too many times when I know I have so many things to do and can’t figure out what to tackle first, or how to get back on track. This spiffy new app makes it fun to want to see what’s next.

Decide Now! works on the iPad and iPhone. The wheels do spin, make noise if you want, can be edited and color coded. So far, I haven’t figured out how (or if) you can sync edits. I made up a few wheels on the iPad, and loaded the app on the iPhone, via the Mac, but didn’t get my changes. So, what you see are shots from the trusty iPad.

I started by creating a “master project list” wheel. As I go along, I’ll add in some more fun stuff to keep it interesting, but for now, I have nine choices of short tasks I can do. Even if I want to do one of these, I still have a hard time getting started. But, if I really pay attention, limit my action to a few minutes (like five to ten minutes), I can giggle my way through the choice.

decidenow-pt-knees
For almost all the Next Project choices, I’ve created a second wheel, with detailed choices of what to do when I land on one. For instance, “Playtime” may or may not have instructions (!), but “Exercise” and “Clean House” have routine tasks. “PM Post”, “Apollo’s Lyre”, “Trip”, and others have items I need to do to catch up/finish/move a project along.

Here’s my working version of , “TaCaMeFe”: a series of physical therapy exercises; instruction to go to the health club to work out, plus another nudge to go ride the stationary bicycle. Take my meds. Drink water. Go to bed!

If I’ve already done the one that shows up, I’ll spin again.

The act of thinking about choices, editing the wheels, and how to limit the time requirement so I would “do something” actually made me stop after a few cycles, as it were, put on my workout  clothes, and head for the gym.

The process of small bites also opened up my eyes to different ways to approach my workout. I need to build up my stamina and strength to do a lot of walking in a few months for a trip. I spent about 15 minutes on the air bike (big fan for a front tire, no settings, just make it go with arms and legs). Then I walked on the treadmill for another 15 minutes. Followed that with a third 15-minute segment on the regular stationary bike, and PT exercises and stretching for the final portion.

None of the pieces was overwhelming, and in a little over an hour, I had an interesting session, timed not by a clock, but by the music I listened to on the iPhone. Three longish songs per segment. Music I only listen to when working out.

decidenow-poeticmuselings

Without spinning the wheel, I tackled one of the Daily/Weekly chores I procrastinate about — one of those that makes me drag my heels, cross my arms, pout, and pretend I’ll want to do it later. Right. After an intensifying level of avoidance anxiety, fear I’ll get some dreadful disease, and other flights of frantic thought, I end up handling it. At some point, I hope I realize how much time and energy is spent avoiding, and  under twenty minutes doing it.

This morning, without spinning the wheel, but thinking about it, I did my full a.m. routine before searching for coffee. This was after over  ten hours of sleep last night. I didn’t land on “Go To Bed!” but followed my body when it told me I was tired and could probably fall asleep if I tried at that point. It worked. For an insomniac, that’s a precious gift.

If nothing else, I did something I don’t do enough — I got out of my head and into my body yesterday. Exercised, sweated, stretched, groaned. Walked back and forth from my bedroom to the kitchen with the things I was hand washing; cleaned up when I was done. Washed my face, slathered lotions on it, flossed, hunkered down without trying to do it quietly — Hubby wasn’t asleep yet, and it wasn’t the middle of the night.

Today I’m at the computer, for now. Had a one-way argument with DropBox about an overload I couldn’t seem to fix. Came up with something that worked as the band-aid I needed, instead of continuing to try to make it do what I “know” it “should” do. Wrote this post; it ties in with my 2013 theme of TaCaMeFi — Take Care of Me First. Creating space for my body to move and my mind to be freed from all the shoulds circling, like planes  in limbo, waiting to land.

decidenow-trip
decidenow-al
decidenow-chores

 

And now a few words about words . . .

The Sea of Words

Ink flows like river full of life
sometimes easy and smooth
dances over stones, around snags
follows stage direction
on cue, corps de ballet
pivot and bow in sync

Ink sticks, won’t flow
like drops lost in side eddies
circular moves, when they do “something”
otherwise stagnant
wait to be unblocked

Ink sits, bottled, waits
for someone to release
its energy,
splash outrageous thoughts
onto dead tree transformed
to half-human form,
sometimes able to stand
upright with proud spine

Ink bleeds the wounds
and pain, cleanses mind
and body, like leeches
still used to draw poisons
from the soul

Ink is the sea
nourishing, healing
when it isn’t
the water demon
whose kiss drowns

Michele

 

 

Shakespeare in the Park

The Sheep Meadow fills the area north of the 6...

The Sheep Meadow fills the area north of the 65th Street sunken Transverse Road and west of the disused Central Drive (Photo credit: Wikipedia)

One of the biggest influences on my poetic ear was due to Joe Papp‘s free Shakespeare in the park.  I am a native New Yorker, born and raised in Manhattan. After Joe Papp won the right to put on the plays in Central Park, we never missed a performance. Even after I moved to the Boston area in 1978, I would occasionally get back to New York to see a play.

One of the reasons was that Sammy Silverman, the attorney who won Joe the permission he needed, was a long-time friend of my father. My dad, Louis C. Fieland, was an attorney, and he and Sammy went way back. How far? Alas, I don’t remember, and my father — and Sammy — are long gone.

After Sammy won the case, we all — my family, Sammy and his wife Claire — attended every performance. We could do this because Sammy and my family were sponsors. That meant we got tickets in exchange for contributing money. The tickets were free for everyone, but sponsors didn’t have to wait in line. Considering the popularity of the plays, this was a great gift.

The Pied Piper versus Goliath: Joe Papp and the fight for public theater

It was 1959 and Joe Papp was having a bad year. Not only had he lost his job at CBS, but also New York City Parks Commissioner Robert Moses had refused to issue Joe the permit he needed to present New York Shakespeare Festival‘s summer season of Shakespeare in the park, a permit that Joe had obtained without difficulty for the three previous summers.  The commissioner wanted Joe to charge admission. Joe refused. Joe’s vision was of free public theater. Not only did he not want to charge admission, he thought that the city should provide the funds he needed to continue his performances. The war was on.

Joe Papp, more than almost any other man, transformed the face of American theater. Joe, the son of immigrant parents, had only a high school education and didn’t go to an acting school. What Joe had, though, was a vision, optimism, and persistence. He’d need plenty of all of them.

In 1959, Robert Moses was the king of urban planning and Joe Papp was nobody. What chance did Joe have against Moses? Moses had refused to issue Joe a permit unless Joe charged admission. Joe almost gave in, but when Moses demanded Joe charge $1.00 to $2.00 a ticket, Joe refused.

And that’s when Joe got lucky. His attorney, Samuel Silverman had once worked as corporate counsel to the city and knew that Joe could bring an “article 78” proceeding against Moses. An article 78 proceeding could be brought against an official who had exceeded or abused his power. Silverman told Joe he could make a good case that Moses was being arbitrary in denying the Festival use of a public park when other groups obtained permits and in demanding the Festival, a non-profit group that didn’t want to charge anything, charge admission to their performances.

But summer was fast approaching. On May 18, Silverman brought suit against Moses on the Festival’s behalf. On June 2nd, the court found for Moses. Joe was ready to give up but Silverman persuaded him to appeal the court’s decision, and this time the court found for the Festival. Joe had won.

But Joe’s troubles still weren’t over. Moses agreed to issue the permit, provided, that is, the festival could come up for $20,000 in expenses for the city to prepare the site for the Festival’s performances.

Here Joe had a stroke of genius. He asked Moses for the money, and Moses, much to everyone’s surprise, asked the New York City Board of Estimate for $20,000 for the Festival. On June 25th the board said yes. Joe was on his way.

Joe Papp went on to much more. Eventually, the city built the festival a permanent home, the Delacorte Theater, in Central Park. The Festival acquired winter quarters in the old Astor Library on Lafayette Street, where Joe gave young, promising playwrights a chance to put on their plays.

Joe Papp transformed the face of American Theater, giving many actors and other theater professionals their start.  And if you go to New York this summer, you will be able to stand on line for a chance to get a free ticket to see Shakespeare in the Park, all thanks to Joe Papp, a man who had a dream and the belief in himself to go along with it.

2013: Looking Forward

Today begins a new year, a new Age. A time for re-evaluations, making new goals and adjusting old ones. I, for one, didn’t do very well on the goals I set in 2012. Rather than do a repeat, with likely similar results, I’m changing the way I make changes. I’m taking it from the verbal to the visual. I saw some pretty butterfly stickers at WalMart and snagged them as the basis of my reward sheet. I pulled out all my scrapbook and craft supplies, and came up with this:

incentivesheet

My main goals are to exercise and write more, and get the house in shape as well. Very vague and insubstantial.

Exercise

I’ve set a weight loss goal, but I know it takes time and the day to day can get discouraging. Solution? Celebrate both individual exercise sessions, to get in the habit and get healthy, as well as the weight loss milestones.

I’m going to add one butterfly sticker to the picture for each exercise session. For every ten butterflies, I give myself a mini-reward. Every 5 pounds lost (see the ladybug markers) earns me a bigger reward. If I lose the full 25 pounds, I get the BIG reward: a Steampunk corset.

 

Writing

stickers
My past experience with NaNoWriMo and writing in general has taught me that I’m not very good at focusing on one project all the way through. Rather than beat myself up for that fact, I’ll work with it. I don’t care what I work on, I just need to write! My major rule is: No new projects until I finish at least one of my FIVE Works in Progress (WIP’s).

For the sheet, one flower added for every 2500 words written. Every ten flowers gets rewarded. When I actually finish a WIP, I am taking a writers retreat. Probably something really small and local this year, like a night or two at a hotel. I think this big reward would be well earned, since I haven’t actually finished a novel since November 2007. That’s five years! No wonder I’m feeling unaccomplished.

Household

zone-calendarThis past five months or so I’ve been trying FlyLady. There’s great ideas there, but I hate having my days so structured. I do need some sort of plan, as my house is more a mess than not most weeks. There are a few ideas from FlyLady that work well with my shotgun approach. My biggest lesson: You Can Do Anything in 15 Minutes. That goes for my writing, housework, exercise (a starting point until I get stamina for longer sessions. Everyone can fit in at least one 15 minute session a day.

The other thing I’m taking from FlyLady is Zones. I tweaked her list a bit to come up with my own personalized House Zones. 5 Zones to cover the entire house. One zone per week, so every five weeks I’ve given attention to each part of the house. If I do a minimum of one cleaning session (15 minutes!) each day, with one day off, that’s an hour and a half cleaning in each zone. Depending on the room, I could be spending that time decluttering, or deep cleaning, or organizing. I got a little calendar from BHG. I highlighted each week in a different color for different zones.

Zone 1 (yellow): Entrance, Front Porch, and Hall
Zone 2 (orange): Kitchen and Dining
Zone 3 (green): Bathrooms and Laundry Room
Zone 4 (blue): Bedrooms and Corner Room
Zone 5 (pink): Family Room and Front Room

Looking Forward

Hopefully taking this more visual approach will be a boon. I love stickers, and butterflies and pretty things, so adding to my flower garden chart will be a motivation in and of itself. I do, however, need to start brainstorming some reward ideas for those smaller milestones. Any ideas? What are your goals for the new year?

mary-sig2

 

 

 

Make Visible: When There’s Nothing to Say

write-picI’ve fallen into a funk these last few weeks.  I  haven’t been writing or embroidering or doing other creative stuff.  I haven’t been doing any of my classwork.  I still haven’t finished the November PAD (poem-a-day) or much else for that matter.

A couple days ago there was a shooting in Newtown, Connecticut where many small children and some adults perished.  I don’t know whether to be angry at such violence or hopeful at the acts of heroism and compassion that I’ve heard about.  I just feel numb.

This mini mid-life crisis I’m going through isn’t the same as being blocked.  It has very little to do with the shooting and is my own experience.  It’s like driving in a fog where you can only see a couple of feet in front of you.

So what have I been doing?  I’ve been doing a little reading, “Finding Your Own North Star,” by Martha Beck and watching a few movies.  I’ve been doing a lot of thinking and ruminating.  None of this is productive and as an efficient Virgo I find this very distressing.

I recognize that these fallow or down periods can lead to better things. Sometimes what’s needed is a period of composting, of processing events and feelings.  Like the pauses in music or the space between words.  I went to choral concert last night (to get more in the holiday spirit) with my boyfriend.  We were going to visit afterwards, but then I realized, I have nothing to say. So I dropped him off at his house and went on my “merry” way.

Happy Holidays to all!

LOVE

Anne

 

“Make visible what, without you, might perhaps never have been seen.”
~Robert Bresson, French Film Director

 

Looking back on November: Poem a day

Again this year I participated in Robert Lee Brewer’s November Poem A Day challenge. The poems are supposed to form a chapbook, but I wasn’t aiming for that. I simply wanted to write poetry.

My muse has been in an un-serious mood most of the month. I’ve done a lot of rhyming and a lot of, well …

Here are a couple of poems:

Poetic Formless

Dust like stars. Any storm in a port. The eye of my apple. Dust the bite.  Blind a turned eye. Fuse a blow. Worm an open can. A death worse than fate. Ice the break. Knot the tie. A society of pillars.

Moons with rock piles made of diamonds, worlds of water where huge ships sail, never reaching shore, jungles full of purple cows, green tigers, and yellow elephants, dragons, fairies two feet tall, ten-foot-tall giants, magic wands, movies that turn themselves on with a blink of an eye.

My car sprouts helicopter wings. I look down on the cars lined up on route 95 as it winds through downtown Providence, and I open my mouth and sing, loudly, beautifully on pitch, remembering all the words.

The Truth about Truth

I desire a Truth
in my Christmas stocking.
Instead, in my head,
I hear a voice mocking.

“Truth’s much too fat
to be hung from a ledge
above a hot fire.”
Alas, though I pledge

she’ll never get burned,
she just shakes her large head.
Perhaps I will dream her
tonight in my bed.

She’ll plop on my blanket,
speak low in my ear.
I hope I’ll be able
to shut up and hear.

When He’s Gone

Alas, my laptop, Joe, is dead.
He tripped and fell right on his head.
The light went off. I almost cried,
the night my laptop, Joseph, died.

I had another laptop, Lou.
Unfortunately, he’s finished, too.
I spilled some coffee on his head,
and now my laptop, Lou, is dead.

Alas, I fear I’ll be offline
until November 12 at nine
AM when I return to work,
and leap onto my desktop, Kirk.

So for a time, I bid adieu
while I consider what to do:
to buy another or repair
or find someone who has a spare.

 

 

TaCaMeFiMo, NaNoWriMo, and Reality

mg-neverforgetyourdreams2I decided to start a new kind of “month” — “Take Care Of Me First” month, or TaCaMeFiMo (TAH-CAH-MEE-FEE-MO) — and invite everyone who reads this to join me. Details below, but first, a bit of background:

The idea was to do this concurrently with crazy November writing ambitions: NaNoWriMo (National Novel Writing Month); the November PAD (Poem A Day, through Poetic Asides) Chapbook Challenge; NaBloPoMo (National Blog Posting Month). Yes, I planned carefully how to be a NaNo Rebel, working in the various projects as adjunct to the new novel.

The paradox: do it all in support of my BIG GOAL — to step back from major projects I’ve handled with groups of writers and others, and take care of my own health and sanity needs FIRST:

– Establish functional sleep habits.
– Take my buns and the rest of my body to the health club five days per week and continue the healing process from my accident two years ago.
– Let go of the 25 lbs. I gained back.
– Work on strength and flexibility.
– Establish constructive eating patterns to reach and maintain a sane weight.
– Laugh and play more.
– Reduce my incessant worrying about the future, and second-guessing decisions from the past.
– Pace myself! Limit the time spent on writing projects, and fill the space with healthy stuff.
– Embrace and cherish what is wonderful in my life. Live in the “now”.

I began to plot this out in my “Never Forget Your Dreams” planner book (from Refuse To Choose, Barbara Sher’s amazing blueprint for “Scanners”). The ideas flowed and I realized I have ways of dealing with pieces of all of the projects I want to handle (or at least start) without having to dive fully into almost any of them. Yes, shamelessly, I would weave the silk into a net that surrounds me and this experiment in living what’s important:

1. Write my NaNoWriMo as a joint project with my husband; we did this in 2006; I won by completing 52,000 words within the time frame. He came up with the story idea, characters he wanted, plot and story line, and I wrote the book, adding scenes, all the words that made it to the page, massaging it when necessary.

So far this year, we’ve talked through the basic story line, have the title, main characters, villains, supporting cast, location, main story line and critical subtext identified. We know the triggering event, lots of possibilities for high and low points, and have a general idea of the ending. Like last time, Hubby’s imagination supplies most of this. I’ll throw in conflict, intrigue, twists, and whatever else strikes me during the writing phase.

In my NaNoRebel garb, I decided that the female main character would do a few more unscripted things during the month — write in her journal, plan out the portions of a book she’s writing about her travels, create a month of poems for another book she’s rewriting, and track her plan for gaining control of her life, one good step at a time — all while engaged in living the story being written.

2. 100 Words – a daily no-more-than-one-hundred-word piece, sharply focused, on one of my blogs:

Poetic-Muselings.net (2 posts) — on my scheduled posting day.

Gluten-Free Travel by Graf (4 posts) — long dormant and lonely.

RoadWriter (12 posts) – my blog the Tripod cyber-trolls destroyed a couple of years ago. I started a new version on wordpress a year ago with my domain name, and grappled with its purpose. Recently (when I let go of trying to know) I got a clear sense of what I want to do, and how I want to do it: use the 100 Words posts to sketch out, idea by idea, what I have, and what I need, to pull together Heart, Soul, And Rough Edges, my book of poems, prose, and pictures about our decade of living and traveling all over the US and Canada.

TaCaMeFiMo (12 posts) — the new one, not yet built, to track and share the journey to Finally Taking Care of Me First. I figured posts on this new blog would run a bit over 100 Words at the beginning, so this would give a word count cushion of a few hundred . . . maybe.

AHA! See? That’s 3,000 words right there!

3. Poem A Day (PAD) Challenge month. My MC will write poems, some may actually work in this NaNo novel. Most of the effort will focus on poems for the rewrite of my 2008 NaNo — The Guilt Ghost: Conversations With My Mother Now That She’s Dead — as a Novel in Verse.

My colleague, Margaret Fieland, wrote her NaNo last year as a scifi book, and did the PAD Challenge. Relocated, her NaNo, and Sand in the Desert, her book of thirty poems, were published this year. Is it inspiration or idea stealing to want to copy her success?

Figuring roughly 50 words/poem, times 30 days = 1500 words! Add that to “100 Words”, and the total word count for NaNo drops to about 45,500.

Time to schedule all of this into the calendar:

1. TaCaMeFiMo time first. Between the health club, breakfast, errands, and appointments, mornings are full. Hmm. Quality (and quantity) time with Hubby and Harlee the Wonder Poodle — a couple of hours per day, at least. More stretch and home PT time (up to one hour daily, broken into six ten-minute chunks). Go to bed by 10:30 pm; get at least eight hours of rest; prep time to make it happen = an extra 30 min in the evening.

2. Other commitments — previously-scheduled get-togethers with friends, postponed from Muse madness (4 evenings); two Oregon Ducks football games (my birthday present to hubby); two Oregon Ducks women’s volleyball games I promised to go to, after the Muse Conference was over; Open Mic Poetry Reading I’m helping with, as well as being a semi-featured reader (one afternoon and evening); Holiday Market Book Event where I’ll be signing copies of LIFELINES on the Sunday after Thanksgiving (prep, travel, set up, signing, breakdown = ten hours); monthly meetings I’ve invited others to attend, so must be there, too (four evenings).

Dropped out of the schedule — five other commitments, including a poetry workshop with the Oregon Poet Laureate, a memorial reading for those we’ve lost in the past couple of years; the Slam series I’d love to attend and try my hand at; the Third Saturday Reading Series, where I got my first break at open mic, and to launch LIFELINES. My Book Club, again.

3. Playing the numbers game . . . for writing:

– 20 days of intense NaNo writing = 2,300 words to reach 45,500. @ 500 wpm = 90 hrs = 4.5 hrs/NaNo writing session

– 20 days to write poems, playing catch-up a few times during the month; I always fall behind. Guesstimate @ 1 – 1.5 hr/poem = 30 – 45 hrs = 2 hrs/poetry writing session

– 10 days to write 30 posts for “100 Words”; I know I won’t do it daily. @ 45 min/post = 22 hrs = 2.2 hrs/blog writing session

This oh-so-sensible schedule = about 145 writing hours for the month = about 5 hrs/day, factored in a 30 day month. But, as you can see with 1 and 2 above, there aren’t a lot of days to spend 5 hrs on writing, let alone, all 30 days.

So, here I sit, two days late with my scheduled post for Poetic Muselings. I wrote a version of this a couple of weeks ago. Felt smug. Then squirmy. Then sighed.

TaCaMeFe won out — in order to take care of me first, much of the rest has to slide into December. I’ll keep my notes for the new site and post ideas, as well as what I do during this month; maybe before the end of November, I’ll get the domain name and capture a site. I love my idea of “100 Words” and hope to start that on Dec. 1, too.

I’ve been to the health club once, on Nov. 1, for my Tai Chi class. Today I have to go there to do my workout routine so personal trainer (who I hired for 30 minute sessions to get me going) won’t fire me next week. I promised us both I’d do it twice a week.

My Dragon voice-recognition program will get going a bit later today, to bring the first words of NaNo to the page. I’m four days behind. Same with Poems. NaNo takes priority for writing time, and I’ll get as much done as I can, working around it, for poems.

Now, after way too many words here, I will go downstairs to spend time with Hubby and Harlee. After I figure out what will thaw out in time for dinner. Forgot to factor that in!

Watch for another installment of this in a couple of weeks. Wish me luck, and think about what you can do to Take Care of Yourself First, starting now. Today. Really. Share your ideas and successes. We are all in this together . . . and I plan to add these words to my NaNo count, since I completely rewrote the post.

Michele

 

 

Devon Ellington and the Muse Online Writers Conference

assumption-of-right-coverI first met Devon during one of the early Muse Online Writers Conferences. Her workshop was thought-provoking, hard work, and immensely satisfying to get through. Since then, I’ve taken several more from her at Savvy Authors (another terrific site), as well as the Muse Conference.

Her depth of knowledge, focus, humor, and structure, all forced me to stretch and go further than I expected I could. I’m so delighted that Devon is back at the Muse Conference this year. Below is a post she wrote, and is included here with her permission.

The Poetic Muselings are presenting a workshop at the Muse Conference, too, “Poetry — Not Just for Writing Verse”. What I learned with Devon over the years influenced the way I look at writing in all genres. I’ve merged the poetic approach in novels, non-fiction, script writing, and even blog posts.

Join us at the Muse Online Writers Conference — but hurry — registation ends on Sept 30!

Later this week, we’ll tell you about our Poetic Museling workshop. But now, here’s Devon.

 

The Muse and I

by Devon Ellington

The actual Muse and I have an on-again/off-again relationship that doesn’t change the fact that I need to get my butt into the chair every damn day and work, whether I  feel like it or not.  In fact, it’s MORE imperative to get butt in chair on the days you don’t feel like it, and often, your best work comes out of the toughest days.

You only want to write when you feel like it?  Nice to have that luxury.  Some of us have to keep a roof over our heads and food on the table.  With our pens and our keyboards.  If you only want to write “when the Muse strikes” (and sometimes she uses a frying pan or a brick), good for you.  Skip my classes, though, because I’m not the right teacher for you.

hexbreakeralt1Sometimes my Muse is male, and sometimes female.  The energy takes on whatever attributes necessary to get the job done.  Sometimes I have the Nick and Nora Charles pair of Muses lounging behind my chair, swilling martinis and making sarcastic comments as I slave away over my words.

That’s okay, as long as it gets done.

As far as the Muse Online Conference, let’s see, how many years have I been here?  I know I did six consecutive years, and then I had to skip one — I think it was last year.  I may have had to skip another one at some point because of chaos going on in life, and when chaos happens, it’s not the writing that gets put aside, but everything else.

There are many great things about the Muse Online Writers Conference.  The sheer volume of participants and the joy they bring to the process is wonderful. It’s a great way to dip one’s toe into a lot of different ways to work, and find techniques to add to your toolbox.  It’s a great place to develop new ideas — I’ve developed several novels during the Muse Conference.  If you do Nano, it’s a great place to prep for Nano. As a teacher, it’s a great place to try out new class ideas.  A lot of places want the same kind of classes — at Muse, teachers can stretch and try new ideas.  And those unique-type classes are often the ones that are the most needed by the writers.  It’s a place to find your peers.  The group of people you start with will be the group you rise with as you progress in your writing life — your support system, your Trusted Readers, the shoulders to cry on after a tough day or a disappointment.  What better place to find them than in an intoxicating environment of writing pleasure?

But you can’t find that if you don’t attend.  I hope to see you there, whether you choose to spend time in my three day Supporting Characters Workshop, where you learn how to create a good ensemble around your protagonist and antagonist without letting them run away with the book — or if we’re both students together in one of the other workshops.  A huge part of good writing is good listening — and some of the best listening opportunities happen at conferences!

–Devon Ellington is a full-time writer, publishing under half a dozen names in fiction and non-fiction.  Her paranormal romantic suspense novel, ASSUMPTION OF RIGHT (as Annabel Aidan) is available in print and online from Champagne Books.  Solstice Publishing has the Jain Lazarus Adventures, with HEX BREAKER out now, OLD-FASHIONED DETECTIVE WORK coming out later this week, and CRAVE THE HUNT sent to the publisher just before this conference.  Her story “Sea Diamond” featuring the take-no-prisoners Fiona Steele appears in the upcoming DEATH SPARKLES anthology, and her plays are produced in New York, Cape Cod, London, Edinburgh, and Australia.

http://devonellington.wordpress.com and www.devonellingtonwork.com.

 

 

 

Make Visible: Staying Alive: Book Review

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I don’t often write book reviews.  I must recommend, highly, this collection of poetry:  Staying Alive:  Real Poems for Unreal Times edited by Neil Astley.  The poetry collection was published by Miramax Books originally in 2002.

41pKDDpQnsL._SX292_BO1,204,203,200_--Staying Alive - Anne

The poems contained are in several categories:

Body and Soul,
Roads,
Dead or Alive,
Bittersweet,
Growing up,
Man and beast,
In and out of love,
My people,
War and peace,
Disappearing acts,
[Me, the Earth, the Universe],
and the Art of poetry.

While the editor seems to like poetry with meter, there are plenty of un-rhyming poems in the collection as well.  Although there are a few classic authors included; the collection is comprised of mostly contemporary poets, including international ones.

It’s just a beautiful book that one can dip into and find a gem on almost every page.  I’ve read it once through and am slowly reading it again and marking which are my favorites.  Staying Alive is 496 pages long, so this should take me awhile!

You can buy it from Amazon here:  http://www.amazon.com/Staying-Alive-Poems-Unreal-Times/dp/1401359264/ref=tmm_pap_title_0?ie=UTF8&qid=1347761350&sr=1-1

For an example, here are the first two poems, two of my favorites:

Wild Geese by Mary Oliver

You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert repenting.
You only have to let the soft animal of your body
love what it loves.

Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.

Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting —
over and over announcing your place
in the family of things.

 

Living by Denise Levertov

The fire in leaf and grass
so green it seems
each summer the last summer.

The wind blowing, the leaves
shivering in the sun,
each day the last day.

A red salamander
so cold and so
easy to catch, dreamily

moves his delicate feet
and long tail. I hold
my hand open for him to go.

Each minute the last minute.

(http://www.famouspoetsandpoems.com/)

 

“Make visible what, without you, might perhaps never have been seen.”~Robert Bresson, French Film Director

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