sharing a poetic LIFELINE with the world

744908720_2654497633_0I got email from the Mass Poetry festival letting me know they’d received my workshop proposal. Fortunately they copied the email I sent them, because I forgot to save a copy.

I don’t know if they will go for it, but, hey, at least I sent it in.

Workshop

Even if we don’t suffer from writer’s block, we often dismiss our ideas before they have a chance to develop. How many times has a line of poetry popped into your mind only to be dismissed? A subject you dismissed as trite or as something you’d never write about? What are you afraid to tackle?

Don’t let your inner editor choke you off before you start. This workshop will include a series of exercises designed to free your inner muse.
Equipment Needs

  • Table for Presenters
  • Chairs for Presenters
  • Dry erase board
  • Paper and pencils

Target Audience: Anyone who wants to dig deeper and free themselves from their own critical thinking.What makes this distinctive and compelling? We’re all inclined to doubt the worth of our own work and to not pay attention to what it is we want/need to write. We will use group writing exercises as a warm-up to generating poetry, brainstorm starting lines for poems, write poems from various points-of-view: ex mother-in-law, best friend from high school, glass of water on your nightstand, unused computer keys. Anything goes.

This workshop is meant to be fun, to generate some ideas the participants to take away, and to start to develop some techniques they can use to get started when inspiration fails to strike.

Publicity & Audience Development Plan *I blog monthly on writersonthemove.com, twice monthly on poetic-muselings.net, and on my own blog, as well as guest blogging. I would use these to promote the workshop.

I’d promote on facebook and twitter, try for an article in my local papers, community tv station, and on internet and regular radio as well as emailing my list of contacts about the workshop.

Have you produced this or a similar program before? If so when and where? *I am one of the six Poetic Muselings. We presented a workshop, “Poetry: Not just for writing verse,” at the Muse Online Writers Conference this October.

 

 

 

write-picMy creativity extends beyond poetry to crafts.  I just got a “new addition” to my creative arsenal, a sewing machine!  It’s not really new, in fact it’s a 40-year-old Kenmore, all metal construction.  I haven’t sewn since I was 13.  I’ve already done a bunch of straight stitches and figured out how to stitch in the opposite direction.  I haven’t filled a bobbin yet or threaded the top and bottom of the sewing machine.  I plan to do crafts to start with, like aprons and potholders.  Here’s to my new hobby, sewing!  Below:  the Kenmore, a book to help me, and some fabric to start with.

1972/73 Kenmore

“Sew Everything Workshop”

100% Cotton Fabric

 

 

 

 

 

 

 

 

 

“Make visible what, without you, might perhaps never have been seen.”~Robert Bresson, French Film Director

 

 

Simmering Muse

It was only a couple days before the month began that I decided to participate in National Novel Writing Month (NaNoWriMo) this year. I was already planning on doing November Poem-A-Day (Nov PAD). With two projects going on, I knew I’d have to prioritize one of them.

Since the novel will take up more words and hours, that took top spot. This also kept me from stressing over the poetry prompts. In previous years, I’ve struggled getting a decent poem written off prompts. It’s a very finicky process. I’m way more reliant on my Muse to cooperate for poetry than fiction. In fiction, I can push forward and just write. That doesn’t work for poetry! At least not for me.

So Day 1, I read the poetry prompt early. No ideas come to mind, so I shrug and allow myself to focus on my novel. I worried that since I wasn’t coming up with even an idea, or giving time to it, that the poems would be a bust again this year.

But that prompt was still in the back of my head, doing its work. Turns out I need to have more faith in my Muse/subconscious. For first thing the next morning, when I was trying to get more sleep, there was that prompt, and accompanied with how I was going to use it. I even had a repetitious phrase!

Lesson learned: For the poetry, read the prompts but don’t stress it. Let it simmer, sit in the back of my brain while I do other stuff. When it’s ready, I won’t be able to ignore it.

mary-sig2

mg-neverforgetyourdreams2I decided to start a new kind of “month” — “Take Care Of Me First” month, or TaCaMeFiMo (TAH-CAH-MEE-FEE-MO) — and invite everyone who reads this to join me. Details below, but first, a bit of background:

The idea was to do this concurrently with crazy November writing ambitions: NaNoWriMo (National Novel Writing Month); the November PAD (Poem A Day, through Poetic Asides) Chapbook Challenge; NaBloPoMo (National Blog Posting Month). Yes, I planned carefully how to be a NaNo Rebel, working in the various projects as adjunct to the new novel.

The paradox: do it all in support of my BIG GOAL — to step back from major projects I’ve handled with groups of writers and others, and take care of my own health and sanity needs FIRST:

– Establish functional sleep habits.
– Take my buns and the rest of my body to the health club five days per week and continue the healing process from my accident two years ago.
– Let go of the 25 lbs. I gained back.
– Work on strength and flexibility.
– Establish constructive eating patterns to reach and maintain a sane weight.
– Laugh and play more.
– Reduce my incessant worrying about the future, and second-guessing decisions from the past.
– Pace myself! Limit the time spent on writing projects, and fill the space with healthy stuff.
– Embrace and cherish what is wonderful in my life. Live in the “now”.

I began to plot this out in my “Never Forget Your Dreams” planner book (from Refuse To Choose, Barbara Sher’s amazing blueprint for “Scanners”). The ideas flowed and I realized I have ways of dealing with pieces of all of the projects I want to handle (or at least start) without having to dive fully into almost any of them. Yes, shamelessly, I would weave the silk into a net that surrounds me and this experiment in living what’s important:

1. Write my NaNoWriMo as a joint project with my husband; we did this in 2006; I won by completing 52,000 words within the time frame. He came up with the story idea, characters he wanted, plot and story line, and I wrote the book, adding scenes, all the words that made it to the page, massaging it when necessary.

So far this year, we’ve talked through the basic story line, have the title, main characters, villains, supporting cast, location, main story line and critical subtext identified. We know the triggering event, lots of possibilities for high and low points, and have a general idea of the ending. Like last time, Hubby’s imagination supplies most of this. I’ll throw in conflict, intrigue, twists, and whatever else strikes me during the writing phase.

In my NaNoRebel garb, I decided that the female main character would do a few more unscripted things during the month — write in her journal, plan out the portions of a book she’s writing about her travels, create a month of poems for another book she’s rewriting, and track her plan for gaining control of her life, one good step at a time — all while engaged in living the story being written.

2. 100 Words – a daily no-more-than-one-hundred-word piece, sharply focused, on one of my blogs:

Poetic-Muselings.net (2 posts) — on my scheduled posting day.

Gluten-Free Travel by Graf (4 posts) — long dormant and lonely.

RoadWriter (12 posts) – my blog the Tripod cyber-trolls destroyed a couple of years ago. I started a new version on wordpress a year ago with my domain name, and grappled with its purpose. Recently (when I let go of trying to know) I got a clear sense of what I want to do, and how I want to do it: use the 100 Words posts to sketch out, idea by idea, what I have, and what I need, to pull together Heart, Soul, And Rough Edges, my book of poems, prose, and pictures about our decade of living and traveling all over the US and Canada.

TaCaMeFiMo (12 posts) — the new one, not yet built, to track and share the journey to Finally Taking Care of Me First. I figured posts on this new blog would run a bit over 100 Words at the beginning, so this would give a word count cushion of a few hundred . . . maybe.

AHA! See? That’s 3,000 words right there!

3. Poem A Day (PAD) Challenge month. My MC will write poems, some may actually work in this NaNo novel. Most of the effort will focus on poems for the rewrite of my 2008 NaNo — The Guilt Ghost: Conversations With My Mother Now That She’s Dead — as a Novel in Verse.

My colleague, Margaret Fieland, wrote her NaNo last year as a scifi book, and did the PAD Challenge. Relocated, her NaNo, and Sand in the Desert, her book of thirty poems, were published this year. Is it inspiration or idea stealing to want to copy her success?

Figuring roughly 50 words/poem, times 30 days = 1500 words! Add that to “100 Words”, and the total word count for NaNo drops to about 45,500.

Time to schedule all of this into the calendar:

1. TaCaMeFiMo time first. Between the health club, breakfast, errands, and appointments, mornings are full. Hmm. Quality (and quantity) time with Hubby and Harlee the Wonder Poodle — a couple of hours per day, at least. More stretch and home PT time (up to one hour daily, broken into six ten-minute chunks). Go to bed by 10:30 pm; get at least eight hours of rest; prep time to make it happen = an extra 30 min in the evening.

2. Other commitments — previously-scheduled get-togethers with friends, postponed from Muse madness (4 evenings); two Oregon Ducks football games (my birthday present to hubby); two Oregon Ducks women’s volleyball games I promised to go to, after the Muse Conference was over; Open Mic Poetry Reading I’m helping with, as well as being a semi-featured reader (one afternoon and evening); Holiday Market Book Event where I’ll be signing copies of LIFELINES on the Sunday after Thanksgiving (prep, travel, set up, signing, breakdown = ten hours); monthly meetings I’ve invited others to attend, so must be there, too (four evenings).

Dropped out of the schedule — five other commitments, including a poetry workshop with the Oregon Poet Laureate, a memorial reading for those we’ve lost in the past couple of years; the Slam series I’d love to attend and try my hand at; the Third Saturday Reading Series, where I got my first break at open mic, and to launch LIFELINES. My Book Club, again.

3. Playing the numbers game . . . for writing:

– 20 days of intense NaNo writing = 2,300 words to reach 45,500. @ 500 wpm = 90 hrs = 4.5 hrs/NaNo writing session

– 20 days to write poems, playing catch-up a few times during the month; I always fall behind. Guesstimate @ 1 – 1.5 hr/poem = 30 – 45 hrs = 2 hrs/poetry writing session

– 10 days to write 30 posts for “100 Words”; I know I won’t do it daily. @ 45 min/post = 22 hrs = 2.2 hrs/blog writing session

This oh-so-sensible schedule = about 145 writing hours for the month = about 5 hrs/day, factored in a 30 day month. But, as you can see with 1 and 2 above, there aren’t a lot of days to spend 5 hrs on writing, let alone, all 30 days.

So, here I sit, two days late with my scheduled post for Poetic Muselings. I wrote a version of this a couple of weeks ago. Felt smug. Then squirmy. Then sighed.

TaCaMeFe won out — in order to take care of me first, much of the rest has to slide into December. I’ll keep my notes for the new site and post ideas, as well as what I do during this month; maybe before the end of November, I’ll get the domain name and capture a site. I love my idea of “100 Words” and hope to start that on Dec. 1, too.

I’ve been to the health club once, on Nov. 1, for my Tai Chi class. Today I have to go there to do my workout routine so personal trainer (who I hired for 30 minute sessions to get me going) won’t fire me next week. I promised us both I’d do it twice a week.

My Dragon voice-recognition program will get going a bit later today, to bring the first words of NaNo to the page. I’m four days behind. Same with Poems. NaNo takes priority for writing time, and I’ll get as much done as I can, working around it, for poems.

Now, after way too many words here, I will go downstairs to spend time with Hubby and Harlee. After I figure out what will thaw out in time for dinner. Forgot to factor that in!

Watch for another installment of this in a couple of weeks. Wish me luck, and think about what you can do to Take Care of Yourself First, starting now. Today. Really. Share your ideas and successes. We are all in this together . . . and I plan to add these words to my NaNo count, since I completely rewrote the post.

Michele

 

 

English: Pumpkin carving - photo taken in dark...

English: Pumpkin carving – photo taken in darkness to show the effect of illumination from within (Photo credit: Wikipedia)

 

Character Parade
By Lin Neiswender

Porch lights off,

Too old for this
Bed calls to me
Time to remember
Nearing years’ end

Every minute precious as it’s recalled
Baby dressed like pea in a pod, held by Mom
Toddler plays the Great Pumpkin role,
Bucket clanking knee
Another knock at the door,
“Trick or Treat!” on sweet young lips
Pirates swagger up the walk, brandishing homemade swords
Beating flowers, bushes, leaves into submission
Hobo tips the hat for candy rewards
As gypsies twirl in flowing skirts
Occasional ghosts or Presidents in mask
Super heroes, fairy princesses whisper soft “Thank you’s”
Most polite, a few greedy

Blow out my pumpkins,
Bring them in,
Another Halloween at its end
Time flies faster than I can ken

©2012 Lin Neiswender

This article was part of the PDF for our Poetry Workshop at the Muse Online Writers Conference earlier this October:

English: Pink Pearl eraser from Paper Mate.

English: Pink Pearl eraser from Paper Mate. (Photo credit: Wikipedia)

When I first started writing and for a good twenty years after that I never revised my poetry.  It never occurred to me to do so.  At an earlier Muse Conference I was introduced to revision in one of the poetry workshops.  Not just punctuation or line spacing, but real revision.  This can include taking a small part of a poem, a scene or image, and expanding on that to create a whole new poem.

Sometimes you need fresh eyes to help you with your revising.  That’s where belonging to a poetry critique group can help.  Remember it’s up to you to re-see your poem.  Don’t depend on others to tell you what’s wrong or right with your poem.  Those may sound like two different pieces of advice.

Others can point you in the right direction, but you yourself are responsible for how your poem turns out.  Only you can decide when it’s finished and ready to go out into the world.

 

“Make visible what, without you, might perhaps never have been seen.”~Robert Bresson, French Film Director

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Newbie Lane

This post was written by Carla Girtman, who was a huge help to us in the 2012 Muse Online Writers Conference, as the Poetic Muselings conducted a week-long poetry workshop.
We thank you, Carla!

“Sure, I can do that. What do you want me to do?”

“Just something about the conference?”

“I’m on? OH! I’m on!”

Hello, out there! Honorary Museling here, guest blogging for the first time. Wow. What an experience at the Muse Online Writing Conference. First time there too! Being a Museling is hard work!

The Muselings are such a great team and well-organized with a clear plan for their online workshop. Lin, my good friend, told me about what they were doing and I said, sure I can do a workbook. Send me the stuff. Then there were meetings, and meetings and meetings! Planning times that everyone could meet because of time zones — big challenge.

If you didn’t attend this online writing conference you missed a variety of different chats, forums, and information for all types of writers. The website was easy to navigate and user friendly. Me, I mostly hung out in the poetry workshop; one to support the Muselings and two, there is only so much time in the week. I work full time and had to grade 15 rough drafts for my online students by Saturday night. Arghh! Time was not my friend. Great thing about this conference is you can go back and visit the workshops to get what you missed. I plan on going back to visit the workshop “Mythology and Fairy Tales as a Basis for New Stories.”

Now I’m not that much of a poet, at least until after the conference. Anyone who can create an Aragman poem and have it make sense, you have officially become a poet. With an aragman, you take a phrase to an anagram maker and see what comes out. I took my Muse name SurfWriter, ran it through the anagram maker and came up with 20, count them, 20. Played with them for a while, but those anagrams weren’t talking. Really? Err Surf Wit? What am I supposed to do with that? So I ran my name through and got over 1000 anagrams. At least something to work with. Don’t let anyone fool you – aragmans are hard to create! Here’s mine.

Alarm! Tracing
the cat who hides
Alarm! Crating
The cat who snarls and yowls.
Alarm! Carting
The cat to the vet.

Alarm! Cat grin!

If you didn’t get a chance to participate, download their participant’s workbook (my contribution to the workshop) and take on the challenge of writing three little known forms of poetry. Be sure to check out Saturday’s chat notes on how to incorporate the poetic form into other forms of writing which was very informative. Michele’s a great moderator and herds cats well LOL! We also presented ideas on revising poetry and how to start a poetry group.

(What? Wrap it up?)
The Muse Online Writing Conference is astounding. Over fifty topics to choose from, hundreds of amazing writing professionals who put together this conference –free. All because they want to support writers who want to become better writers or who want to explore other challenges. I can’t wait until next year!

 

 

I’m trying to promote my novel, “Relocated,” so check out this review on askDavid.com:

http://askdavid.com/reviews/book/science-fiction/2539

And check out “Sand in the Desert” as well

http://askdavid.com/reviews/book/inspirational-poetry/2540

In addition to promoting the novel,  I’m editing two others. I got tagged in a blog hop and answered a few questions about one of them,  an adult science fiction novel tentatively entitled “Broken Bonds”:

http://margaretfieland.com/blog1/2012/10/17/the-next-big-thing-blog-hop/

I’ve been playing with digital images again.

Here are a couple of poems I’ve written, two versions of the same gray, dreary day:

 

Almost Day

The rain hangs short of falling
and chill air blows
through my open window.

My novel’s turned dull,
the heroine another blonde,
lucky at everything but love.

I’m down to dregs of coffee,
the flavor burnt and bitter,
sandy grounds populate my cup.

I’ve insufficient motivation
to rise from the table
or boot me out of my fog.

My dog humps open the door
rests her grinning muzzle
on my knee.

Anything short of a downpour
is good weather for canines..
Time to go for a walk


Gray Day

My novel’s heroine  has no class.

paintmt1

l have to give the book a pass.

Rain hangs just short of the grass
I hope the gloomy weather will pass

Chill air blows in the window , alas.
I bang it shut, hope shivering will pass

My smoky fire smells of burnt grass.
Time to walk. Don’t let more time pass.

Rain streams down the  window glass
I have to give walking the dog a pass

 

 

 

 

 

Last week was the annual Muse Online Writers Conference. The Muselings have a history with this conference.

Our group emerged from this conference, we learned the tools to create our poetry collection LIFELINES. We pitched our book to publishers at a later Muse Conference, and it was during Muse Con of last year that we got our acceptance letter. We owe the success of this group and our book to Muse Conference.

And this year we paid it forward. For the first time, the Poetic Muselings presented a workshop. Poetry: Not Just for Writing Verses.

It was a great experience all around. We talked poetry, wrote poetry, critiqued poetry. Hopefully those that attended learned something and made their own connections to continue in the days ahead.

On Saturday’s topic, Michele brought up some questions to help us look at how poetry can enhance our other writing. It made me take a look at the relationship between my two types of writing. Sometimes I try to keep them in two separate boxes, a poet in one moment and a fiction writer in another. But they are both a part of me, and they definitely bleed into each other.

One thing I’m still working on is taking my strengths from each form and applying them to the other. I need to be more descriptive in my fiction, and use more story in my poetry. My best writing has elements of both.

I spent most of my week in our poetry forum, but I also dabbled in some of the other workshops. One of my favorites of the week was Creating a Writerly Logo. I learned the importance of choosing good font and color, spacing and shapes. It was a lot of fun coming up with a logo that represented both sides of my writing.

Here is my final result:

 

 

If you have different hobbies, or write different styles or genres, how do they overlap?

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write-picThis September I had the pleasure and privilege to share an original poem-a-day challenge on Facebook with my friends Michelle Hedgecock, Margaret Fieland, Lotus Vele, Becky La Bella, Cai Von Kugler and David Robbins.  Dave is a chat buddy of mine from New York State.  Dave floated the idea of a poetry challenge and I went along with it.  I’m glad I did!  I  managed to write, type and post 30 new poems to Facebook in September.  I also enjoyed reading and commenting everyone else’s poems.  Make visible, indeed!

 

Here is one of the poems I wrote during this challenge:

Butcher Shop

Sadness
settles in my bones
like the cold,
stays there.

Your words are sharper
than a butcher’s cleaver
reducing me to roasts, chops,
and cold cuts.

I don’t know if it’s my own helplessness
I’m wallowing in,
or yours.

I can do one thing well,
walk in a circle every day,
stopping only
long enough
just long enough
to be buried
in 6 feet of freshly turned earth.

No, I’m not dead yet.

A stone cold heifer
just bones left now
munching on grass
dripping blood—

pooling at my hooves.

©  Anne Westlund

 

“Make visible what, without you, might perhaps never have been seen.”~Robert Bresson, French Film Director